As an old, fat Caucasian man I am not qualified to review the social importance of this film beyond the standard platitudes of “finally, a big-budget action film with a mostly black cast.” Sitting in the bar before the showing I overheard a lot of people who were VERY excited about the social importance of this film, though. It was great to see so many people enthused about a film!
I enjoyed the film and look forward to see how Wakanda fits into Marvel’s idealized universe in the future.
Holy crap, this was a crazy fun ride! Nicolas Cage was at his finest here as a part of the cast, not as the “star” of the film. There were sufficient amounts of Nic Cage crazy without overwhelming (and ruining) the rest of the plot. I realize the bar is set pretty low, but I feel this is the best film with Nic Cage (ever?).
About a third of the way into the film we start to see that something is wrong with the world. Not the most original plot point, for sure, but I enjoyed the way that something is visible peripherally to the story. There’s no obvious cause or solution, just a problem that must be dealt with as everyone begins to understand that parents suddenly have an overwhelming urge to kill their children. Not ALL children, just their own offspring.
One of the pull quotes from the film’s poster describes it as “… a twisted remake of ‘Home Alone’ on bath salts.” That feels very accurate. The kids have to deal with parents who suddenly want to kill them. The film doesn’t just present the adults as homicidal zealots, either. They carefully plan how to murder their children without any inkling that it is wrong. The parents are aware that others are killing their children, too, but dismiss it as a natural thing to do.
I laughed inappropriately at much of the last half of the movie, partly as a stress release after one particularly anxious scene at the hospital when Selma Blair’s character’s sister gives birth during the crisis. The writer and director, Brian Taylor, shoots the film in a decidedly different, almost trippy, style. I loved it!
Beers I paired with the film: Fiction Brewing Malice and Darkness, Odyssey Beerwerks Psycho Penguin Vanilla Porter
Back in October I attended a University Of Denver hockey game over Homecoming weekend. Outside of the area before the game there was a beer garden, food and musical entertainment for “Hocktoberfest.” I entered to win a signed puck AND I WON! The puck came in the mail today.
Thor: Ragnarok is a lot of fun. If you’ve watched any of the previous Marvel’s Avengers series of films you recall the love-hate relationship that developed between Thor and The Hulk. Everyone remembers the scene where Thor is smugly gloating about how well the two fought a group of aliens in New York before Hulk “smashes” Thor in the head (out of spite?).
Ragnarok expands on their relationship further after a series of unexpected family drama events leads Thor to a garbage planet (let’s call it New Jersey) where he must fight their champion, roman gladiator style. On first blush the film is all romp, humor and action with a tiny bit of plot. I have seen it described as a farce of a film, and that is a fair assessment. It is nice to see the two fighters of the Avengers doing what they do best without the smug Tony Stark or super-pure Steve Rogers involved.
This actually feels more like a summer blockbuster film than fall lead-in to Thanksgiving. But that’s not bad thing! The overall arc of the Marvel Cinematic Universe story is advanced a bit in the bonus scene post-trailer, and I enjoyed watching the CGI fighting. It’s like a 21st century comic book!
Yes, I ordered the iPhone X this morning at 1 AM Mountain time. Ugh, need more coffee.
And although I ordered just as soon as possible I still will have to wait until 10 November for it to be delivered, at the earliest. At least my LTE Apple Watch arrived ten days ago, so I have one shiny new geeky thing in the house… oh, and my employer purchased a new MacBook Pro with Touch Bar for me.
UPDATE: At some point today my delivery status updated to next Friday!
I took my dogs to a new-to-me brewery in Centennial on Sunday, Resolute Brewing Company. They have been open almost exactly a year so far and feature a medium-size tap room with both a patio and extra tables in the grassy area next to the patio. It’s a nice setup and very dog friendly. There were already three other dogs when we arrived.
The beers were solid and the bartender was friendly enough, in fact he forgot to ring in my purchases initially so I had to inform his replacement what I consumed when I tabbed out!
Resolute is a bit of drive through busy areas of Denver and the DTC so I don’t know how often I will visit (have to navigate back home afterwards) but I will keep it in mind when looking for a change of pace.
I watched Brawl In Cell Block 99 last Friday night at Alamo Drafthouse’s satellite Fantastic Fest event in Denver. The short plot summary for the film is “A former boxer-turned-drug runner lands in a prison battleground after a deal gets deadly.” The summary leaves out the best part of the film, though: gruesome violence.
Vince Vaughn departs from his comic roles here as a former boxer who takes a job delivering drugs for a buddy. When a deal goes badly he ends up in prison and must make choices that are not that great. Any more details might spoil the plot. If you are squeamish or can’t handle gore and violence this film is not for you… the film was released unrated for a reason.
I was impressed by Vaughn’s acting abilities here and hope to see more of this type of role for him in the future.
So. This film is not for everyone. Its symbolism will lose a lot of viewers and the allegorical references to the Bible and Christianity will put others off. It’s a wild ride and one of the few films I’ve seen in a long time that made me think about it over the ensuing few days.
Some of the characters are nuanced and others are clear-cut. Only Darren Aronofsky knows for sure who each of them represent — the audience is left to (hopefully) interpret his creation and decide for themselves.
Another great, quirky film starring Aubrey Plaza and Elizabeth Olsen exploring the cult of online personality. Aubrey really conveys the zealous fervor of following an online persona and wanting to become friends in real life… until it all crashes down on her.